Satelliser means “to put into orbit”. Satelliser: a dance for the gallery is a durational performance work for an intergenerational group of artist coworkers.
Images: Satelliser: a dance for the gallery posters : John Philip Sage
Over the course of day coworkers cycle through the layered labours of moving, speaking, listening and resting , holding buoyant space for conversation to emerge between each other and gallery visitors. As coworkers subtly alter their spatial configurations in response to the visitors’ movements, they play with the orientation relationships between performance, visitor and space and the kinds of conversations these can support.
The project was first researched in 2014/15 in London , and developed in 2016 in Brussels. Selected for touring with CONTINUOUS Network in 2020, the work was redeveloped in 2020/21, taking place as discursive online rehearsals across 5 time zones and through multiple lockdowns. As the artists have each navigated upheaval, dislocation, political turmoil and changing personal circumstances, the process of being together in conversation has both amplified and challenged what they imagined this work might be and do.
Satelliser: a dance for the gallery coworkers 2021/22:
Louise Tanoto
The work has also been developed through r&d, conversation and performance in London and Brussels with:
Vanessa Abreu, Charlie Ashwell, Mirte Boegart, Temitope Ajose Cutting, Elodie Escarmelle, Lena Kimming, Liz Kinoshita, Rosemary Lee, Ines López Carrasco, Alice MacKenzie, Erik Nevin, Grace Nicol, Katja Nyqvist, Stella Papi, Lizzie Sells, Shannon Stewart, Elisa Vassena, Ana Cristina Velasquez, Karin Verbruggen & Katie Vickers.
Satellliser: a dance for the gallery has been presented within the following contexts:
-Bosse & Baum, Peckham, 2015
-Copeland Gallery, Peckham, 2015
-Villa Empain, Brussels in context of Répétition exhibition,2016
-BALTIC Centre for Contemporary Art, Gateshead, 2021 in context of Ad Minoliti’s Biosfera Peluche
-Turner Contemporary, Margate, 2021 in context of The Margate Open and Canvas 4 Equality’s curated gallery
-NottDance 2022, IC4C Nottingham.
BSL interpretation: Caroline Ryan (BALTIC), Gemma Lahone (Turner Contemporary)
Press and audience responses:
I think about other situations like this, like the social, mostly women-populated knitting group, Stitch ‘n Bitch. How easy it is to tell secrets to hairdressers. How, in contrast to the stillness of meditation, permission to pay attention seems to come more easily when we busy ourselves. As I think about this, I notice a coworker embroidering as she leans against a pillar to rest.
The experience of being responded to by the dancers speaks to a fundamental, early, form of communication that is at once familiar and yet all too rare. To encounter it in these performances is invigorating and satisfying; it seems to get to the root of some intrinsic participation and collaboration that finds its home in our human need for play.
-audience response, Copeland Gallery 2016